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Sadibey.com DOCUDRAMA: THE REAL (HI)STORY Çiçek Co?kun OUTLINE 1. founding 1. comments to Docudrama 2. Antecedents to Docudrama 2. DOCUDRAMA TECHNIQUES AND ANALYSES OF THE FILMS 1. Metonyms and Metaphors 1. Casting 2. naming and Compositing 2.1.3 Captions 2.1.3.1 The Voice-Over/ fabricator 2.1.3.2 Date and Place Captions 2.1.3.3 Sound/Music Captioning 3. CONCLUSION 4. BIBLIOGRAPHY 1. introduction 1.1 Definitions to Docudrama It has been nearly seven[1] decades since put-on Grierson first applied the glycerol trimargarate infotainment to movies. Still, the comment of the term remains a devil and controversial snub, not middling among film theorists but to a fault among people who make and date documentaries (Eitzen, 1995: 81). Besides the complexity and onerousy of the comment of documentaries, it is also heavy to define genres of the issue. By the time going, rising genres and techniques were added into the documentary genre. This training led to documentary filmmakers into mixing these genres and techniques in documentaries.

One of the roughly common and important a documentary genre is infotainment. Definition of the docudrama term is as difficult as the rendering of documentary term. One of the earliest definitions of docudrama was given by Edgar E. Willis in the early 1950s. Willis based his definition more on content than on form when he called it a political platform presenting information or exploring an issue in a dramatic fashion, with story emphasis ord inarily on the social meaning of the problem! , (Willis, 1951: 101 in bartlett pear Musburger, 1984: 10)[2]. Moreover, according to Kaiser (1980: 42 in Bartlett Musburger, 1984: 10)[3], docudrama is the dramatization of actual events using actors and actresses as opposed to a clear documentary, which uses real people and events. check to this definition, docudrama is a cabal of...If you want to get a full essay, order it on our website: OrderEssay.net

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